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Inventing the backstory of “The Man of the Crowd”
The first detective fiction ev
Inventing the backstory of “The Man of the Crowd”
The first detective fiction ever, Poe’s “The Man of the Crowd” is, in many ways, a blank slate, upon which the reader might project his or her own significances. Compose a short screenplay/sсrіpt, inventing an origin (and/or outcome) for the titular Man of the Crowd. Where did he come from? How did he become the way he is? Did he live a normal life before his addiction set in? What does he do during the day? What happens after the actions of Poe’s short story? Each student will be assigned a random 19th-century professional that must be incorporated into the titular Man’s backstory/origin story. MY 19TH CENTURY PROFESSION IS A RAT CATCHER
The text has been uploaded to Canvas, Files. Your creation must be adapted in sсrіpt/screen play format. Create a new and exciting adaptation that builds on to the themes, plot, and conflict of the “The Man of the Crowd”! Submission Specifications
Due Thursday, March 28 @ 2pm, Your submission must consist of at least 1100 words, not counting title or header information. It must be submitted in 12-point, Times New Roman font. There is no upper limit on word count. Use correct grammar and spelling. Proofread your writing. Spellcheck is required for the final product.
Rules regarding plagiarism apply. Partial or total use of AI-generation counts as plagiarism.
You may add new events that precede or follow the action of the source material. The details of your short story must match and conform with the fictional universe of “The Man of the Crowd,” set around the time of the publication of the piece in 1840. Avoid anachronisms (things that did not exist or could not occur around the year 1840).
You may borrow up to 50 words directly from the source text, but this is not required. Place any and all words or phrases borrowed from the source in “double quotations.”
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